"He is the shosei (student) to whom the earth is too small and the heavens are not high enough. He dwells in castles of air and feeds on ethereal words of wisdom. In his eyes beams the fire of ambition; his mind is athirst for knowledge." - Bushido: The Soul of Japan (Nitobe Inazo)
Just a traveling samurai scraping together photos and videos and random awesome. Often stuck between sleep and studying under the watchful eye of graduate school. Here for the fangirl support groups. Sometimes found watching TV with dear friends I don't live near on Skype for the hilarious banter that makes such hours enjoyable.
For randomness feel free to ask. Stay well and travel safe. PS - DFTBA
i just realized that maria hill reports directly to fury and natasha reports directly to fury and melinda may reports directly to fury and they’re the only ones we see regularly speaking to him
all three of director fury’s closest lieutenants are women how metal is that
The movies I made, I wasn’t even trying to make them diverse. It’s just when you’re a filmmaker of any ethnicity, you’re going to write from your own experience. So all my scripts started with “Hispanic character…” then I’d be like, “Oh, gosh, now I have to find an actor to play this,” and then I’d find there were no actors in Hollywood. It was puzzling.
When I was doing “Spy Kids,” the Weinsteins asked me — not that they were being jerks at all, they were just wondering — "Why are you making the characters Hispanic? It doesn’t make any sense, isn’t this supposed to be for everybody?" “Well, it’s based on my family.”
They’d just never seen it. Hollywood is very much… no one wants to do it first, because what if they screw up? If someone else does it first and it’s successful, then that’s something we can imitate. It just makes business sense for people not to constantly be putting themselves out there.
[Weinstein] said that, and it really put me on the spot to come up with a reason. “Why not just give them American names? It’s America, it will confuse people.” I said “They are American — they’re based on my family, so they’re Hispanic, but they’re going to be speaking in English. It’s going to be for everybody.” But no one had done it before, so there was nothing to point to.
"But why?” They couldn’t understand why I was doing it that way, and I couldn’t come up with a good answer. And I realized, wow, if I wasn’t Hispanic, I would have folded, I would have changed the name. That’s why there weren’t more scripts like that. Somebody would have asked them at some point “Why are you doing it that way?”
Finally, I came up with the right answer. I said “You don’t have to be British to watch James Bond. Making him British actually makes him more universal because it makes him very specific.” And they were like, okay, that makes sense. And we did it, and “Spy Kids” was a big hit. And those who were Hispanic, it really meant a lot to them. People have come up to me for a lot of years since and said “You changed my kids’ whole life. They see little kids who are Hispanic that are spies and they saw your name as the writer and director and you changed their idea of what their future could be.” The ripple effects of that one movie were enormous.
"this is supposed to be for everybody"
"this is supposed to be for everybody"
Was anyone else a little bit disappointed that the kick ass Lady Counsel Member turned out to be Natasha? Still love Natasha, but for a few glorious seconds, it was awesome to see an older woman come out of nowhere to kick ass.
Oh hell yes. For one glorious moment this movie was going to be the utter best thing ever made. And then…. well it was still cool but such a disappointment we didn’t get unexpected kick ass over 40 woman.
Did we ever even find out what happened to the counsel member?
We, too, thought for a glorious moment that Captain America: The Winter Soldier was a movie where every female character was a secret badass.